Le Modiste: En Fourreau Part 2

Hello!  I  have been making progress on the Polonaise en fourreau.  What I am working on now is the back piece.  The back is one piece of fabric that starts with a dart from the neck to waist (1/4" to 2") then pleated while on the body to create the shaped 'V' and then the inverted pleat at the 'tail-bone'.  This was done with the fashion fabric.  The lining is a rectangle cut the length of neck to waist and darted just the same but not pleated.

The lining is folded and darted.  It is then attached to the fashion fabric which is darted then pleated and pinned in place.

The pinned pleats - I ironed them to help me keep it even.

Detail of pleats pinned.

Sewing through all layers I am using a Mantua stitch. I think mine are too close and tight. Not sure.

When you are done the inside looks like this.

Detail:  The stitches.

I am using linen thread.  It is thicker than regular modern cotton covered poly threads we have now.  This was borrowed from a friend till I can order what I need from Burnley and Trowbridge.
http://www.burnleyandtrowbridge.com/


Next up:  Finish stitching down the pleats, then cut and put the sleeves together.  The sleeves were draped on my arm - using an extra piece of lining fabric and I will use it as a pattern.

Le Modiste: En fourreau or English back - Part 1

100% Linen, Indian Printed.  Oatmeal ground.

One project I have always wanted to do is a totally hand-sewn gown.  That particular dream is coming true and I am really excited.  A dear friend is helping me drape on the body and create a polonaise en fourreau gown.  I am using the above linen which I have been coveting at Discount Fabrics in Berkeley, California for a while.  It is 54" wide and I bought about 4 to 5 yards.  Should I have been using something from my 'stash'?  Absolutely!  Yet, I just couldn't resist.  In fact I consciously decided that if I am going to put that much work into it I might as well use something nice and that would encourage me to keep up with the project.

The first thing we did was to drape the front of the bodice over the corset.  The front bodice piece includes the side back, so there is no side seam.  Also, the center front is not cut on the straight which I found interesting as I was always taught to draft on the straight at the center front and back.  With that said, the drape of the fabric does work with the conical shape the corset gives you and there is less to do to make the shape develop.

Once you have the piece cut, (which you can do in muslin which I chose to do instead of actually starting with the fashion fabric), the draped piece becomes the pattern for the both the lining and fashion fabric.

The draped pattern piece.

Hand stitched the fashion fabric and the lining using a whip-stitch.

Whip-stitched the fashion fabric to the lining which was turned so the lining is offset from the edge.

Front pieces done except at the side back seam/shoulder/armhole - will be done later.

The back piece was measured on the body by taking a length of fashion fabric and measuring from the back neck to the waist and wee bit below.  I then created a dart down the center back starting at 1/4" and out to 2" at the waist using a back-stitch.

Center back dart pinned.

Back stitching the center back dart

Sources:

• Costume Close-up: Clothing Construction and Pattern 1750-1790, Linda Baumgarten & John Watson with Florine Carr, Costume and Fashion Press QSMC.W 1999
• Seventeenth and Eighteenth-Century Fashion in Detail, Avril Hart and Susan North, Victoria & Albert Publishing, 1998.
• Cut of Women's Clothes, 1600-1930, Norah Waugh, Theatre Art Books, 1985
• Costume in Detail, Nancy Bradfield, Plays Inc., 1975

Next up:  Drape and stitch the back pleats of the bodice-skirt.  Also, drape the sleeves and make-up.